InstantForum.NET v4.1.4HoofJaw Forumshttp://www.hoofjaw.com/forums/forums@hoofjaw.comFri, 09 Jan 2009 05:49:53 GMT20http://www.hoofjaw.com/forums/Topic228-106-1.aspxi agree too be, i probably own some of the cheapest crap for a studio: computer mics, cheap laptop $300, no mixer or interface, but i can mix pretty good so farFri, 09 Mar 2007 08:35:42 GMTYoung Swizzhttp://www.hoofjaw.com/forums/Topic228-106-1.aspxI agree, a list of equipment doesn't mean a whole lot. It's nice to know whether a studio is offering $70 (US) mics or high end equipment to record with, but more importantly, what do the projects they've worked on in tha pas tSOUND like, and how much money did it cost the artist to get that recording done? Some less experienced engineers charge a lower hourly rate, which is a appropriate, in an effort to attract business, and a lot of newer artists will work with a studio charging a lower rate because of budget considerations. However, if the studios lower rate is offset by a lack of experience and/or equipment, thereby making the project take longer to complete, how much money ends up really being saved? And at what sacrifice to quality? Other important considerations include what kind of environment you are working in, does the engineer and staff do a good job of making you comfortable? Are they trying to help you achieve your vision for the project, or do they have their own take on it it that may conflict with how you are hoping it will turn out? <br><br>Sat, 07 Oct 2006 21:38:29 GMTkronchhttp://www.hoofjaw.com/forums/Topic228-106-1.aspxyo does any one know a studio in PA? like in Dover or York?Wed, 04 Oct 2006 10:32:14 GMTAcestreethttp://www.hoofjaw.com/forums/Topic228-106-1.aspxGreat pic!Thu, 28 Sep 2006 10:48:28 GMTfuilivexhttp://www.hoofjaw.com/forums/Topic228-106-1.aspxI have to agree with you to an extent, but i think part of showing that you're serious is the gear. You're not gonna go with a studio advertising a creative soundblaster soundcard, into some PC with Cubase SX2 are you? However, i agree experience is needed but there's always gonna be people without experience and they need to get people through the door in the first place to get it; but of course these people should have prices to reflect their lack of experience. Just what i think.Sun, 24 Sep 2006 06:26:36 GMTlawrence.brhttp://www.hoofjaw.com/forums/Topic228-106-1.aspxDear Todd<br> I quite agree "all the gear and no idea" is a big problem<br>for our industry. I also have the advantage of having bought brand new vintage gear as well.<br>[img]http://photos.hi5.com/0001/409/355/4SVV3N409355-02.jpg[/img]<br>Pre CBS precision and Marshall plexi brand new!.<br>:cool:Fri, 22 Sep 2006 23:18:26 GMTBassmechttp://www.hoofjaw.com/forums/Topic228-106-1.aspxIf you don't have the experience to back the impressive list of gear on your recording studios website, you're wasting your time and the time of any potential clients you may have. You might have the newest desk on the market spending hundreds of thousands of dollars, but if you don't know how to use it or don't have properly trained ears, what's the point? How can a studio running 24 tracks of digital audio through a 20something year old SoundTracs desk win so many awards and gain so much recognition without advirtising or spamming? E-X-P-E-R-I-E-N-C-E. It is that simple. Try over 40 years of it and 2 generations of musicians!<br><br>If you live in the Central New York area and want to have a recording done right, check out Hobin Studios. Chances are, if you're in the area you've heard the name. Now find out why Hobin Studios has the most repeat customers and the most word-of-mouth referrals anywhere! And if you're one that needs to have a gear list, we'd be happy to give you an idea. Our setup is always changing... how else are we going to back our music addictions!?Thu, 21 Sep 2006 10:50:26 GMTfuilivex